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  2. When [The Discreet Charm of the Bourgeoisie] had been nominated for an Oscar, four Mexican reporters tracked us down at El Paular, where we were already at work on another project. During lunch, they asked if I thought I was going to win that Oscar.

    “Of course,” I replied between bites. “I’ve already paid the twenty-five thousand dollars they wanted. Americans may have their weaknesses, but they do keep their promises.”

    A few days later, headlines in Mexico City announced that I’d bought the Oscar. Los Angeles was scandalized; telexes poured in; Silberman flew over in a rage from Paris. I assured him it was all a joke, but it took quite a while for the dust to settle. Ironically, the film did win an Oscar three weeks later.

    Luis Buñuel (above, in disguise, with the Oscar.)

    (Fuente: strangewood, vía tornandfrayed)

     
  3. arpeggia:

    Misha Gordin - The New Crowd, 1996-2002 | More

    (vía valeriesergent)

     

  4. "My freedom thus consists in my moving about within the narrow frame that I have assigned to myself for each one of my undertakings. I shall go even further: my freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint diminishes strength. The more constraints one imposes, the more one frees oneself of the claims that shackle the spirit."
    — 

    —Igor Stravinsky, The Poetics of Music

    Open Letter to Design Students Everywhere: Observatory: Design Observer

    (via howtowork)

     
  5. millerharry:

    holy shit yes

    (vía on-a-peregrine)

     
  6. mano.

    hand.

     
  7. storyboard:

    The Reconstructionists: Celebrating Badass Women

    What do Buddhist artist Agnes Martin, Hollywood inventor Hedy Lamarr, and French-Cuban author Anaïs Nin have in common? Their names may not conjure popular recognition, and yet, for Lisa Congdon and Maria Popova, these women represent a particular breed of cultural trailblazer: female, under-appreciated, badass. They are “Reconstructionists,” as the writer-illustrator duo call them — and for the next year, they’ll be celebrated on a blog of the same name. Every Monday for 12 months, The Reconstructionists will debut a hand-painted illustration and short essay highlighting a woman from fields such as art, science, and literature. The subject needn’t be famous, but she will, as Popova, the creator of Brain Pickings, puts it, “have changed the way we define ourselves as a culture.” We spoke with Popova, and illustrator Congdon, about the inspiration behind their project.

    How’d you come up with the name ‘Reconstructionist’?

    Maria Popova: It’s very challenging to celebrate women without pigeonholing the project into some stereotypical and alienating feminist corner, the most dangerous part of which is the preaching-to-the-choir quality that many such projects tend to have. So when it was time to come up with a title for the project, it couldn’t be something too literal or too obvious. After sifting through hundreds of letters, diaries, autobiographies, and other writing, I suddenly remembered something Anaïs Nin had written in a 1944 diary entry — about “woman’s role in the reconstruction of the world.” It was perfect. It was the only common denominator between those women – they aren’t all artists, or all writers, or all to be expected in the pages of a tenth-grade history book. They are simply all reconstructionists.

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  8. Un cabello en la cama trae recuerdos.

    A hair found in bed bring memories.

     
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